October 30, 2012

Nathaniel White, "The Tale of an Abandoned Farmhouse and a Serial Killer"

Nathaniel White is a serial killer from Upstate New York during the early 1990s.
The Killings: White confessed to beating and stabbing six women to death while on parole. He claimed to have found inspiration for his first murder while watching "Robocop 2". This first killing took place on March 25, 1991 after White had been convicted of abducting a 16 Year Old Girl, but before he started his prison sentence and police did not make the connection at the time. In a plea bargain that would later be heavily criticized, White had pleaded guilty to a misdemeanor for the abduction and would therefore be eligible for parole after just one year. White was paroled in April 1992 and returned to Orange County, New York. White's first victim was the young niece of his girlfriend, whom he killed at the end of June, and he killed four others during the month of July.

 The New York State Police began investigating on July 30th 1992, after the body of Adriane Hunter was found and authorities began to suspect it was related to the earlier disappearances and murders. On August 2, White was arrested. White confessed and led police to his dumping ground in Goshen on August 4 1992. White was arraigned by a grand jury on August 7 for the murder of Christine Klebbe. On September 9, the other five murders were added to the indictment. White was charged with six counts of second degree murder and pleaded not guilty by reason of insanity. White was convicted on all counts on April 14, 1993 and sentenced to 150 years to life.



The Tale of an Abandoned Farmhouse and a Serial Killer

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The bodies of Hopkins and Whiteside were discovered in this house on Harriman Drive in Goshen.

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October 1, 2012

Wilde Yarn Mill

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John Wilde and Brother, Inc., remains as a family owned woolen carpet yarn mill in continuous operation at this location since 1884, giving it the distinction of the oldest American carpet yarn company still in existence. The complex of three buildings stands at the lower end of Manayunk, once a part of an industrial landscape that included the Pencoyd Iron Works, later the American Bridge Company, and the Wissahickon Plush Mill. Surviving as the last of these, the Wilde mill now serves as the gateway to Manayunk from the south, as proclaimed in the sign painted on the Main Street mill. 

In 1882 brothers John and Thomas Wilde started the construction of a mill on Cresson Street near the intersection of Ridge Avenue.  This effort came two years after they had purchased two sets of cards and a mule, and had begun a carpet yarn business, spinning wool on the fifth floor of S.S. Keely's Enterprise Mill.  The Wilde's new mill, oriented toward Cresson Street, bares a significant resemblance to the pattern of mill construction prevalent throughout Manayunk toward the end of the nineteenth century. With its rubble stone walls and red brick trim, the mill follows the type built by S.S. Keely. Having been tenants of Keely,it appears likely that he would have constructed their mill. When completed two years later, the date 1884 was laid into the brickwork of its smoke stack where it is still clearly visible from Ridge Avenue. 

The process of spinning carpet yarn from wool stock has not changed much over the years, with the exception of the introduction of labor saving devices and the evolution of improvements to those machines. At John Wilde and Brother the acquisition of such machines led, in part, to the expansion of the mill. In 1932 the reinforced concrete and brick mill on Main Street was constructed down the rocky hillside from the earlier mill. Its structural system required fewer interior piers which resulted in more open space to accommodate larger, more modern machinery. Presently this mill houses the carding, twisting, spinning, and winding machinery. The carpet yarn process at the Wilde mill currently takes place in three buildings, the last one added in 1983; designed by Reshetar Architect, Inc., the reinforced concrete structure embellished with terra cotta tile, stands atop a rubble rock foundation (of the earlier Wissahickon Plush Mill) next to the first mill and serves as a warehouse. 

Bales of scoured wool from a variety of world markets arrive at the Wilde mill and are delivered to the warehouse, maintaining the inventory necessary to anticipate and fill its orders. From there the bales are fork-lifted into the top floor of the 1884 mill for blending. As much of the finish product of the mill consists of natural colored yarns, an assortment of wools makes up the inventory. The technique of blending the various colors achieves the distinction in the yarns. On this same floor six large Lumming feeding machines combine different types of wool to make a homogeneous blend layers, or the blended wool. Next the wool travels to a baling machine. Forced air blows it down to the floor below where it is compressed, strapped and stored as bales. To insure a good blend, the wool is put through this process three times. On one of the passes, a lubricant is added to aid in the processing and a pre-carder opens the fibers in preparation for carding. 

The spinning of a customer's order begins when the bales leave the old mill and slide on an enclosed incline down the hillside between the two mill buildings, landing near the carding machines. Situated on the top floor of the new mill, six large Davies and Ferber carding machines use toothed rollers to comb the fibers of the wool straight. With accurate measuring devices these machines weigh the raw wool before carding to establish the size of the finished yarn.  The product of carding, called roving, looks like finished yarn but has no twist and no strength. Wound on large spools, the roving leaves this floor for the one below where it is placed on continuous ring spinning machines to add the twist. The machines stretch and twist the roving as it is wound onto smaller bobbins. Twisting machines fitted with several bobbins of different yarns twist them together to achieve the desired number of ply. The Wilde Mill has a Saco-Lowell overhead creel-twisting machine on the second floor of the newer mill and Whitin twisting machines on the ground floor of the same mill. The final process before shipping, involves moving the finished yarns on a winding machine from the mill’s wooden bobbins onto paper cones or tubes for shipping and use by the customer. 
 

 
Two other machines, which survive from earlier days of textile production are still in use here. A picker, used for picking spun yarn, returns it to the appearance of the raw wool. This mill uses the picker for its small pieces of yarn called hard waste. The other machine, a willow or duster, removes short unusable fibers from waste known as fly, also returning it to pre-combed wool.  Both the willow and the pickers were manufactured by W.M. Schofield of Manayunk and patented in 1929. 
  


John Wilde and Brother, Inc. and Robert Krook, Inc., 4120 Main Street, survive in Manayunk among the stiff competition of corporate giants, paralleling the recent history of industry in America. Within the last twenty years in Manayunk, six yarn mills have closed, the last, Blankin Yarn Company, as recently as two years ago.
History Found Here.
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Wilde Yarn II

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September 4, 2012

Grey Hill Jail

Grey Hill Jail, Opened in 1918 & Closed 1934

An inspection of a proposed site for a Grey Hill Jail was made on July 11, 1917, pursuant to the receipt of an application, dated June 30, 1917, of Commissioner B. G. Lewis, of the Department of Correction of the city of New York, for the approval of this site by the State Commissioner of Health, in accordance with the provisions of chapter 510 of the Laws of 1916. 
The proposed site, known as the farm, is located in a County, Near the station of the main line of the Erie railroad, 55 miles northwest of Jersey City. The nearest village is about 2 miles distant. Approximately One-third of the area consists of a moderately steep side hill near the top of which it's proposed to locate the principal buildings of the institution, the remaining, Two-thirds of the area being low, level land, devoted mainly to pasturage. Through this lower level two streams pass, known as Seeley creek, and the main ditch, respectively, which unite beyond the northerly boundary of the property to form Cromline creek, which in turn joins the Otterkill near some town then to form Moodna creek, which is a tributary to the Hudson River. 
A detailed description of the site with reference to the character of the various soils found thereon, is given in the report of Mr. William Goldsmith, construction engineer, submitted with the application of Commissioner Lewis. The farm contains 257 acres and is bounded on the northwest by the Lehigh and Hudson railroad, and on the southwest by the main line of the Erie, while the branch of the Erie passes through the property. The station of the Erie railroad is at the southwest corner of the property. From a sanitary standpoint the site seems to be well adapted for an institution, the high ground being suitable for various buildings and the low ground for truck gardens or pasture. 

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August 31, 2012

Ravenloft Castle

Ravenloft Castle 
 Sitting high on a dark hillside outside of a small town in Upstate New York, The Ravenloft Castle looks like it escaped from the pages of Grimm’s fairy tales. Complete with Gothic windows, turrets, towers, steep parapeted roofs, crumbling walls, and a courtyard overgrown with shrubs and trees The Ravenloft Castle has been a landmark and a source of stories both real and romantic for almost 100 years. The design of the castle is thought to have been inspired by late nineteenth century interpretations of medieval European castles constructed in Scotland.
The castle had 36 rooms and legend passed down from generation to generation says that each room had steam heat and electricity long before any home in the township had them. The roofing slate came from England, the marble for the floors, fireplace and staircases from Italy and the iron gates from France. The fireplace in the reception room was valued at over $5000 in 1910. Gold leaf was used to cover it.
Construction on the castle was begun in the early years of the First World War, and ceased in 1924, three years after the owner’s death in 1921. Never fully completed, the building represents an impressive example of the romanticized medievalism that emerged in American culture at the turn of the twentieth century.
Buildings on the property include the castle, tall ornate iron gates with stone piers, a one-lane stone bridge on the service road, several "service" buildings along the Road and a farm complex in the southwest corner.
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